Web Gilbert and Buddhism

October 6th, 2014 | 'Banjo' Paterson, C. J. Dennis, Henry Lawson, Web Gilbert

I’ve been asking myself for a while how the sculptor Charles Web Gilbert, born in central Victoria in 1867, came to acquire an interest in Buddhism.

Specifically, he was born in Cockatoo, near Maryborough, roughly halfway between Bendigo and Ballarat, so it is reasonable to assume he had at least some contact with the Chinese community which was living on the Victorian goldfields at the time. Some friends recently convinced me that this is where his interest came from.

However, giving it some further thought over the weekend, I am not so sure.

I am now inclined to think the answer lies elsewhere.

To quote Wikipedia, on the subject of “Buddhism in Australia”:

“In 1891 the American Buddhist Henry Steel Olcott, co-founder of the Theosophical Society, came to Australia and participated in a lecture series, which led to a greater awareness of Buddhism in small circles of mainly upper-class society. One of the members of the Theosophical Society was future Australian Prime Minister Alfred Deakin, who had spent three months in India and Sri Lanka in 1890 and wrote a book which discussed spiritual matters, including Buddhism.”

Perhaps it was a combination of the two. Either way, it seems to me highly likely that Gilbert came into contact – either directly or indirectly – with the teachings of Olcott.

1891, of course, was a seminal year in Australian history. It was the year of the first of the famous shearers’ strikes, which pitted union and non-union shearers against each other as wool prices fell with the coming of the Depression. This was the political backdrop against which Lawson and Paterson wrote, and which led ultimately to the formation of the Australian Labour Party.

I have mentioned before that Gilbert and Lawson were both born in the same year so, perhaps, while Lawson was becoming increasingly involved in the shearers’ cause, Gilbert was learning about Buddhism. Of course, Gilbert could have been concerned about the shearers’ plight also. I have no evidence about this one way or another. (C. J. Dennis, incidentally, turned 15 in September 1891. It is probably reasonably safe to assume he wasn’t particularly concerned with either the shearers or Buddhism at the time.)

So why did Gilbert choose to submit a Buddhist sculpture as his contribution to the Springthorpe Memorial for the Kew Cemetery in the late 1890s? My suspicion is that there was a touch of mischief on his mind, and that he more than half expected it to be rejected – as indeed it was.

The lyrics to “The Ballad of 1891” can be found here:
http://mainlynorfolk.info/trevor.lucas/songs/theballadof1891.html

The Wheel of Life

August 4th, 2013 | Photos, Sunnyside, Web Gilbert

This is a complex story, with many layers.

Gilbert created a marble statue called “The Wheel of Life”. It depicts a Buddhist lama sitting beside a stream. “The Wheel of Life” has just fallen from his hands. Presumably, it is a metaphor for the folly of believing one can control one’s own destiny. It proved especially true in Gilbert’s case. The First World War came along and de-railed all his plans. That’s not the story I want to tell now, though.

And before I proceed further with the story I do want to tell, I have a question to ask. How did Web Gilbert, living in Australia in the late 19th and early 20th centuries, become familiar with Buddhism? I have read that the sculpture recalls Kipling’s Kim, but I am not sure in what way. (Admittedly, I have not read Kim. Perhaps if I had, it would be clear to me.)

Apparently, the sculpture was commissioned for the Springthorpe memorial in the Boroondara cemetery, but was considered “too eastern”.

John William Springthorpe was born in England in 1855 (the same year as Ned Kelly). He came out to Australia as a young child, and was educated here. He completed his medical degree at the University of Melbourne in 1879 (the same year that Ned Kelly wrote the Jerilderie Letter).

Springthorpe’s wife died in childbirth in 1897. He was stricken with grief, and created a mausoleum for her. Gilbert was commissioned to contribute to this. Why did Springthorpe choose Gilbert? And why did Gilbert think a statue featuring Buddhism would be appropriate?

Somehow, the statue found its way into the hands of three brothers, R. A., W. M., and A. S. Cudmore, nephews of Dr. Lilian Alexander. Dr. Alexander was one of the first women to graduate in Medicine in Australia. Upon her death, her nephews donated “The Wheel of Life” to the University of Melbourne as a mark of respect and gratitude for their aunt, who had acted as their friend and mentor.

So why was the statue acceptable to the Cudmores but not Dr. Springthorpe? And what did the university make of it? Apparently, it has been moved around several times during its life at The University of Melbourne. It is currently on display in the main foyer of the medical school building in Grattan Street. That is where I took these photos. (Being a graduate of Medicine at the University of Melbourne myself, this building is very familiar to me!)

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In preparing this blog post, I have drawn heavily from three articles, as follows:

http://www.unimelb.edu.au/culturalcollections/research/collections9/03_Robyn-Sloggett.pdf

http://adb.anu.edu.au/biography/springthorpe-john-william-8610

http://www.jnmhugateways.unimelb.edu.au/umfm/biogs/FM00125b.htm