I was starting to worry that we had no photographic record of the performance of “The Glugs of Gosh” at the 2017 Toolangi C. J. Dennis Poetry Festival, held to celebrate the centenary of its publication. Fortunately, C. J. Dennis Society member Will Hagon has come to the rescue!
Here we see, from left to right, Sir Stodge (David Campbell), a narrator (Maggie Somerville), King Splosh (Jim Brown), and another narrator (Ruth Aldridge), in “The Swanks of Gosh”.
Now we move on to “The Seer”, with narrators Jim Brown and Ruth Aldridge, and the Mayor of Quog (Daan Spijer).
The climax is reached in “Ogs”, with the “Og” audience throwing stones at the Glugs!
Here are Sir Stodge (David Campbell), a narrator (Maggie Somerville), Sym (Stephen Whiteside), King Splosh (Jim Brown), Queen Tush (Ruth Aldridge), and a Glug with a mole on his chin (Daan Spijer).
Alas, Sir Stodge has been stricken in the chest by a stone!
(Note the blurring of the faces due to movement – evasive action, or simply hilarity?)
And here are the stones that caused all the damage!
Thanks again to Will Hagon for saving the day!
Report: 2017 Toolangi C. J. Dennis Poetry Festival
The tenth Toolangi C. J. Dennis Poetry Festival took place at “The Singing Gardens” in Toolangi on the weekend of 21st and 22nd October, and was a great success.
This year we were celebrating the centenary of the publication of two of Dennis’ books – “The Glugs of Gosh” and “Doreen”.
The weather was cool and overcast, with some rain – nowhere near as good as the beautiful sunny weather we have had some years, but nowhere near as bad as the storms of last year.
It was wonderful to have C. J. Dennis Society Patron Ted Egan on hand to open the festival on Saturday afternoon. The festival began, as always, with the a
Awards Ceremony for the written poetry competition. A change this year was the introduction of an un-themed short story section (max. words 500), replacing the themed poetry section. It was generally felt that the theme of “The Glugs of Gosh” would just be too difficult. In spite of this, the winning entry, “Constable Og and the Bits and Bobs”, by David Campbell, was written on the theme of the Glugs, and was extremely clever and entertaining – a most deserving winner.
The Marian Mayne Prize (winner of the Open Poetry section) was won for the second successive year by Shelley Hansen with “My Name’s Doreen” – a view of Bill from Doreen’s perspective, written very much in the style of C. J. Dennis, and most fitting for the centenary of the publication of “Doreen”.
I was thrilled to win the “Adults Writing for Children” poetry section, both as judged by an adult (“The Fart from Outer Space”) and children (“The Fart from Snowy River”). Just how popular these poems really are with adults is somewhat questionable. I performed them both somewhat uneasily to the assembled throng on the day…
Another highlight of the ceremony was the success of the Williams family. Jan Williams, owner of “The Singing Gardens”, won Second Prize in the Short Story section with “Dear Mar” while her son, Michael, won Second Prize in the “Adults Writing for Children” poetry section, as judged by children, with “Lemonade Waterfall”.
Ruth Aldridge then performed “Doreen”. This is a slim booklet, comprising four poems only, published for the Christmas market in 1917. It relates a number of events in the life of Bill and Doreen, who are now married, and their young son, also “Bill”. Ruth did an excellent job, and it was a fitting tribute to the centenary of the publication of the book.
Another thrill for me was the presence of motoring journalist Will Hagon at the festival. I have been listening to Will on the ABC for many years. I have no interest at all in motor sports, except when Will is talking about them – then they suddenly sound very interesting indeed. Will has a beautiful speaking voice, and is a natural story teller. I had no idea that he is also a huge fan of C. J. Dennis! He performed “The Spoilers” on the Saturday afternoon, which was a great treat for all who were there to hear him.
The festival highlight commenced shortly after, with the performance of “The Glugs of Gosh”. We had rehearsed fairly intensely in the lead-up to the festival, but it is a long and complex work, and there were still plenty of opportunities for things to go wrong! The Glugs was the book of which Dennis himself was most proud, but it has never sold anywhere near as many copies as his most popular works, and various misgivings were expressed during rehearsals that we might struggle to hold the attention of our audience. As it turned out, we needn’t have worried. We were greeted with rapt attention, and given a standing ovation at the conclusion!
Here is a performer’s eye view.
The Glugs is a flawed masterpiece. It is primarily a satire for adults, though it began as a story for children, and retains some of those elements, which is a little confusing at times. The Glugs live in the fictional land of Gosh, where they are ruled by King Splosh and Queen Tush. The knight Sir Stodge also has a major say in affairs. An independently minded Glug by the name of Joi is eventually hanged for his treasonous thoughts, but his son, Sym, similarly independently minded but less given to rebellion – and modelled very much on Dennis himself – is alternately hailed as a prophet and reviled. No doubt this reflects in part Dennis’ own mixed feelings following the reception he received after the publication of The Sentimental Bloke and Ginger Mick.
My initial plan had been to employ a professional actor to read the book, but C. J. Dennis Society member Maggie Somerville suggested that it would work well as a play, with various actors playing the principal characters. I felt she was definitely onto something, so cast Society members for the various parts. The final performance featured Jim Brown, Ruth Aldridge, Maggie, Daan Spijer, David Campbell and myself. Colin Lee attended several rehearsals, but was very sadly prevented by illness from performing at the festival. Terry Maher also attended rehearsals, but was unable to attend the festival.
Maggie and I had planned to sleep in the tea room, in the corner where the performance of the Glugs had taken place. As we lay down at the end of the day, we had no idea that another dramatic episode was about to unfold for us! A speaker box, perched on a tripod two metres above the ground, came crashing down without warning and struck us both on the head! Maggie instantly had a large egg, while I found myself with several bleeding scalp lacerations. I felt we both needed medical attention and, after a couple of unsuccessful attempts to rouse doctors closer to home, we set off on the hour long journey to the Emergency Department at Maroondah Hospital in Ringwood.
Maroondah Hospital gets pretty busy on a Saturday night, and it took an hour to drive each way. It appeared that no serious harm had been done, but it was 3 am by the time we were back in Toolangi!
The Poets’ Breakfast the following morning went well.
David Campbell, on hearing of our plight the following morning, hastily penned a poem which he read to the delight of all.
Things That Go Bump!
When the sandman comes a’creeping
in the watches of the night
and you’re very soundly sleeping,
it’s not nice to get a fright.
But at times the gods get even
for the mischief that you’ve done,
and for Maggie and for Stephen
retribution weighed a ton!
For a speaker came a’calling
as they slumbered in their bed,
and they thought the sky was falling
as it cracked them on the head.
“Bloody hell!” poor Stephen shouted.
“What in heaven’s name was that?
For it seems that we’ve been clouted…
I forgot to wear my hat!”
Meanwhile Maggie lay there, aching,
as a lump began to grow,
and she cried “My head is breaking!
What has caused this awful blow?”
And then Stephen said “I’m shattered,
but the truth we have to face
is I think that we’ve been battered
by the fart from outer space!”
The “Moving Theatre”, featuring C. J. Dennis (myself), ‘Banjo’ Paterson (Jim Brown) and Henry Lawson (David Campbell), was scheduled to take place after lunch. However, the rain and cold meant that we’d be confined to the marquee, and there wouldn’t be much moving. Fortunately, there was plenty of theatre. Another highlight featured Will Hagon as, without any warning, C. J. Dennis invited him to take centre stage and talk about the types of cars that Dennis, Paterson and Lawson might have been driving in the 1920s. Suffice to say, Will rose to the occasion splendidly! I was particularly fascinated to learn that the Holden company had been present in Australia for many decades prior to the introduction to the motor vehicle, fashioning leather for saddles, bridles, etc.
Will and I had an opportunity to continue our conversation later in the afternoon.
(Photo courtesy Maggie Somerville)
Maggie Somerville and Cathy Phelan did a beautiful job of helping the children to perform a ballet to “The Glug Quest” from “The Glugs of Gosh”. Maggie sang selected verses she had put to music, while Cathy had choreographed the dance and taught it to the children, and helped with costumes.
Jim Brown then wound up proceedings with his traditional performance of C. J. Dennis’ “Dusk”.
All in all, it was another successful and highly memorable festival!
Here is a full list of the winners of the poetry competition.
Results – Toolangi C. J. Dennis Poetry Competition 2017
Open Poetry Award
First – “My Name’s Doreen” (Shelley Hansen)
Second – “The Busker and the Bikies” (Will Moody)
Third – “The Gravedigger” (Will Moody)
Open Short Story Award
First – “Constable Og and the Bits and Bobs” (David Campbell)
Second – “Dear Mar” (Jan Williams)
Third – “The Piano Player” (Shelley Hansen)
Honourable Mention – “Our Singing Garden” (Ruth Aldridge)
Adults Writing for Children (adult judging)
First – “The Fart from Outer Space” (Stephen Whiteside)
Second – “The Kids that Rescued Easter” (Jackie Hosking)
Third – “The Fart from Snowy River” (Stephen Whiteside)
Fourth – “The Glogs of Gush” (David Campbell)
Highly Commended – “Grandpa’s Farm” (Jenny Erlanger)
Highly Commended – “Bush Tucker” (Jenny Erlanger)
Adults Writing for Children (as judged by children)
First – “The Fart from Snowy River” Stephen Whiteside)
Second – “Lemonade Waterfall” (Michael Williams)
Third – “The Kids that Rescued Easter” (Jackie Hosking)
Poems by Students in Primary School
First – “Bushranger’s Delight” (Max Bryant)
Second – “Water from the Rain” (Megan Vo)
Third – “The Land Down Under” (Jun Bok)
Highly Commended – “How Gold Changed Australia” (Micah Foreman)
Highly Commended – “Falling” (Daria Day)
Poems by Students in Secondary School
Honourable Mention – “Spring is Here” (Taylah – Williams-Benjamin)
Congratulations to all the winners, and thanks to all those who entered.
Thanks also to the judges: David Campbell (Open Poetry), Daan Spijer (Open Short Story, Students’ Poetry), Barry Carozzi (Adults Writing for Children – adult judging), students of Millgrove Primary School (Adults Writing for Children – as judged by children)
The festival booklet, containing all the winning poems, together with judges’ comments, can be purchased for $10 by writing to:
“The Singing Gardens”
1694 Healesville-Kinglake Road
Finally, thanks also, of course, to Jan Williams, her family, and her tireless band of supporters for continuing to make the festival the great success that we have become accustomed to enjoying.
Last Sunday I decided to do a bit of exploring in C. J. Dennis country – the Murrindindee Scenic Reserve in the forests north of Toolangi. On a previous walk in the area I had seen a sign to Wilhelmina Falls, but had not managed to get there. This time I decided to try again.
I followed the Boroondara Track, which started down by the river and wound its way up steeply through thick forest. After a few false turns and blind alleys (I’ve never been particularly good at map reading…) I eventually found them. The falls and the surrounding scenery, I have to say, were far more spectacular than I had expected. I just assumed that, because the hills are not high enough to take you above the tree-line, the views would remain extremely limited.
What I had not counted on, however, was an extraordinary wide, high, steep face of bare rock on the eastern face of the range that allowed absolutely fabulous views of the adjacent hills and valleys. The amount of water tumbling down one part of this rock face was not particularly large, but the rock itself was quite incredible. To cap it off, as I gazed into the rich blue of the sky above the falls, a wedge-tailed eagle made its leisurely way across my field of view from right to left.
I am not certain, but I am fairly sure that what we are looking at here is the western face of Mt. St. Leonard.
Almost as spectacular as the rock face itself is the track – especially the viewing platforms and steel steps and hand rails that have been secured to it. How were these constructed? Presumably the workers were in harnesses, attached to ropes. It would not have been easy!
There are also indications that this is not the first track to be built on this rock. Note these pale blue squares embedded into concrete. Presumably they were the attachment points for an earlier hand rail.
This discovery has completely changed my perspective of the area. I now see the landscape as far more dramatic than I had ever imagined. I found myself drifting back in time, imagining what the landscape must have been like a couple of hundred years ago.
I wonder, too, if C. J. Dennis ever stood on this rock face, and admired the falls and surrounding scenery. He never wrote anything about it, but I like to think he did.
My dear friend Hugh McDonald died last Friday night.
All those who knew Hugh well knew the end was near, but still it was a shock to receive the news from Rebecca this morning.
Hugh is best known as a member of the former folk-rock group Redgum, and writer of the classic Australian song, “The Diamantina Drover”, but he was, of course, so much more.
Hugh was a great admirer of Henry Lawson, and indeed created an album of songs based on Lawson’s poems. I always felt “The Diamantina Drover” was a “response” to the “call” of Lawson’s “Knocking Around”.
Hugh was one of the few people who made me feel a bit ‘special’. I can’t deny there was an element of bathing in the light of his celebrity. “What does this famous rock star want to hang out with me for?” He was always pleased to see me, ready for a cuppa and a chat.
Perhaps not surprisingly, it was my poetry that first led me to him. I spent much of the late 70s and early 80s hanging around folk/bush bands, trying to persuade them to put my poems to music. Eventually, after giving up on some of the bigger names, I turned to the smaller fry. Hugh was playing with “Moving Cloud” at the time, and I approached him one evening after a gig at the Dan O’Connell. Somewhat surprisingly, he expressed an interest in hearing my work.
We met a couple of times after that, and he started putting one of my songs – a sort of parody of the life of Captain Cook – to music. He played an unfinished version of the song to me on one occasion, but shortly after he rang to tell me he would not be able to finish the song, as he had received a call from Redgum, and they wanted him to join them.
We lost touch after that, and I followed his career, like so many others, through radio and vinyl. Many years later – long after the breakup of Redgum – we made contact again. I heard him being interviewed about his Lawson album by the Coodabeen Champions on ABC Radio one Sunday night. I wrote to the ABC, they passed my letter on to him, and soon we were back in contact again.
Hugh played at my sister’s wedding – where he was one-man juke box! – and at a close friend’s 50th birthday party.
When I was looking for a music soundtrack for a demo of my collection of poems for children, it was Hugh that I turned to.
In spite of all this, however, it is only in the last couple of years that we have become really close. When Maggie Somerville and I decided to put together a CD based on the work of C. J. Dennis, I persuaded Maggie to record it with Hugh. We recorded it over the following twelve months, and the recording sessions were highly enjoyable – occasionally riotous! – occasions. He also graciously helped us to launch “The Two Bees” at the Toolangi C. J. Dennis Poetry Festival in 2015.
(Hugh was always game to try something new. Here he is playing the saucepan…)
(… and here the gourd.)
(Thanks to Margaret Voake for the last two of these photos, both taken at Toolangi.)
Hugh’s technical mastery was not confined to music instruments. He was a wizard on the computer in his studio, and was always seeking to master new skills. (He also, it must be said, gained great satisfaction from restoring discarded vacuum cleaners to good working order.) Keen to learn another new skill, he offered to make some videos for Maggie and me to help us promote the CD. Apart from the bright red music stand situated forlornly in the middle of the field of vision, he did a great job!
(Thanks to Trevor Pearson for this photo.)
More recently, he has been helping Maggie to complete her second original CD. He was really hoping to complete it before he died. Alas, this was not to be.
Hugh and I were a similar age, and both sons of doctors. (Hugh’s father was a GP in Kerang, a Victorian country town.) Our paths had been very different, however. I had become a doctor myself, while he had followed the path of musician and artist. Hugh was fascinated with science, and medical science in particular. Quackery infuriated him, and he did all he could to expose it when he encountered it. We occasionally reflected on how our lives might have been if he had become a doctor, and I had followed the path of the artist in a more committed manner. I have no doubt he would have made an excellent doctor. He followed the course of his illness and its treatment intensely, and with a degree of detachment that was quite admirable.
It is hard to believe he is gone. I know it will take me a long time to come to terms with his death. I feel a large chunk of me has gone with him. My heart goes out to Rebecca and the rest of his family. Their only consolation can be that they had the great pleasure and privilege of knowing such a wonderful fellow.
(Thanks to Margaret Voake for this photo, too – also taken at Toolangi.)
Report: 2016 Toolangi C. J. Dennis Poetry Festival
The festival this year – held last weekend, on Saturday 22nd and Sunday 23rd October – faced challenges like none before it. Ever since the festival began in 2008, we have had amazing fortune with the weather. Our luck was bound to fail sooner or later, and this year it failed with a capital “F”.
The trouble began two weeks earlier, with wild winds that brought down nine enormous mountain ash trees at “The Singing Gardens”. It looked for a while as though the festival might not be able to proceed at all. The principal damage occurred to the pump house (see photo below) with damage to 100 plastic chairs and a fridge as well as the pumps. Much of the piping running water from the Yea River to the pond was damaged, and the plastic and clay lining at the bottom of the pond was perforated. (The pond was originally excavated by C. J. Dennis and his wife, Biddy, who named it “Touchstone Tarn”. Iconic photos show Dennis and the English Poet Laureate John Masefield lying side by side on its banks in 1934.)
Jan Williams, owner of “The Singing Gardens” (home of the festival) believed, given the high winds experienced in the weeks leading up to the festival, it would be imprudent to erect the marquee that we have used in recent years. We would simply hold the festival inside the tea rooms. Jan booked the C. J. Dennis Hall across the road at the last minute, in the event that the tea rooms proved too small.
There was also a third exciting possibility. The Toolangi Forest Discovery Centre is being transferred to community control, and we might have been able to hold events there, too.
The weather forecast on the morning of Saturday, 22nd October, was ominous. A smaller crowd than usual (but hardly smaller than expected, given the weather) gathered in the tea rooms for the Festival Opening and Awards Ceremony. Kath Gannaway, representing our major sponsor, Bendigo Community Bank (Healesville Branch) opened the festival with eloquence and passion. She spoke of the value of the festival in keeping Australian culture alive.
The announcements of the winners of the Written Poetry Competition followed, together with the awarding of the prizes. Numbers of entries have been down the last two years. This is, of course, a concern, and the reason is not clear. Nevertheless, the winning poems maintained the high standard set in earlier years.
A full list of the results can be found here:
A new award, the Marian Mayne Prize, for the winner of the Adult Open section, was announced last year. (Marian Mayne was Jan Williams’ mother. She died two years ago, leaving a generous bequest for the Adult Open prize.) The inaugural winner was David Campbell, and the winner this year was Shelley Hansen. Unfortunately, the trophy was not ready for last year’s ceremony, but it was on hand this year.
Jim Brown, Secretary of the C. J. Dennis Society, commissioned Joseph Galloway, a practitioner of the art of pyrography, to make the trophy.
Details can be found on YouTube, here:
While Shelley was not at the festival this year, David was. Here is David, with Jim Brown and Jan Williams, being presented with the trophy.
It is a perpetual trophy, and will remain at “The Singing Gardens” with the winners’ names engraved upon it.
Here is a better look at the trophy itself.
A scrumptious afternoon tea followed, after which we returned for an hour of C. J. Dennis poetry and song, performed by myself, Maggie Somerville, Geoffrey W. Graham, Ruth Aldridge, David and Jim.
This in turn was quickly followed by Part 1 of “The Moods of Ginger Mick”, featuring Geoffrey W. Graham performing the poems, a connecting narrative provided by myself, and certain slang explanations from Maggie. There are 16 poems in Ginger Mick. While a similar show last year for the centenary of “The Songs of a Sentimental Bloke” featured only nine of the 13 poems in the book, I thought it would be great fun (and a real challenge) to perform all 16 of the Ginger Mick poems this year. There was no way that could be achieved in a single setting, so we planned to do the first six poems in the hour before dinner, and the remaining 10 over an hour and a half after dinner.
Rain fell heavily off and on during the entire afternoon – interrupted by brief bursts of hail – and when the power went out, we realised the Forest Discovery Centre was no longer an option as a venue for part of the festival. Fortunately, the Williams were able to quickly crank up the generator, power was restored, and we were able to continue.
Part 1 was well received. The audience size was perfect, really – a snug fit for the tea rooms, but no empty chairs.
An enormous and delicious buffet dinner followed, after which the assembled gathering re-grouped for Part 2 of “The Moods of Ginger Mick”. Although the show had not been performed before (and probably will not be again), the timing worked out well. We were finished by about 9 pm. Geoffrey, I must stay, was looking pretty spent by the time we reached the home stretch!
There were various reports of the state of the roads by the end of the evening, and at least one person decided to sleep in their car rather than chance the trip back to their booked accommodation.
Nevertheless, all appeared bright-eyed and bushy-tailed for the Poets’ Breakfast at 9 am the following morning. There was no shortage of performers, and a wide variety of pieces and styles were exhibited over the course of the session. We did manage to get around the room twice, but it took all morning to do so! I found myself sitting with the light in front of me rather than behind me so most of my photos that morning are far too dark, but I did catch this nice shot. From left to right we have Terry Maher, Geoffrey Graham, Jim Smith, and Christine Middleton (in profile).
Lunch (traditional roast!) was then served, after which came the “Moving Theatre”, featuring “C. J. Dennis” (myself), “Banjo Paterson” (Geoffrey) and “Henry Lawson” (David). We were also graced with a newcomer this year, in the form of “Will Ogilvie” (Jim). Sunday had dawned a much brighter day than the day before and, after we had assumed the Moving Theatre would also need to be held indoors, we began to realise that we could happily move outside after all.
The bottom half of the garden, however, was not available to us because of the fallen trees and sodden ground, so we gathered in the house garden to commence proceedings. After introductions, we moved quickly into the children’s ballet. The poem chosen for this year was “The Blue Kingfisher”. Maggie had put it to music, and sang beautifully. The children also looked wonderful. Their costumes were delightful, the choreography was challenging and imaginative, and they were well rehearsed. (This is an even greater achievement when one realises that all rehearsals had been to a recorded version of the song.) Thank you to Cathy Phelan for making the children’s ballet such a highlight of the festival once again.
The poets then commenced to saunter around the gardens. Alas, the audience were required to stand, as all the chairs had been destroyed when the pump house was hit! A highlight was “Banjo Paterson” reciting a Dennis poem, “Washing Day”, in front of Mrs. Dennis’ original wash-house!
Here is a view of the wash-house itself.
The afternoon finished with a surprise appearance from “Mary Gilmore” (Ruth Aldridge) performing her famous poem “No Foe Shall Gather our Harvest”.
Though the day was fine, it was still cold, and all were very happy at this point to retreat once more to the tea rooms for afternoon tea!
So ended another highly enjoyable and successful Toolangi C. J. Dennis Poetry Festival. The challenges involved this year were far greater than in any previous years (though 2009, following the fires, was also very difficult), and I wish to especially thank Jan Williams and her hard working, dedicated family, for doing so much to ensure the festival was held this year, in spite of everything.
Join us next year, as we celebrate the centenary of the publication in 1917 of “The Glugs of Gosh” and “Doreen”. Won’t THAT be something special!
(Thank you to Maggie Somerville for this photo of the five “poets”.)
I recently spent two days in Gunnedah in New South Wales to attend the Awards Ceremony of the 2016 Dorothea Mackellar Poetry Competition.
Dorothea Mackellar, as most people will know, is an Australian poet who is best known for her iconic homage to her homeland, “My Country”.
The full text of the poem can be found here:
Mackellar was born in Sydney, but she spent much of her time in the area around Gunnedah, where her brother owned property and built a homestead.
The Poetry Competition held in her name is for school aged children. This year it attracted just shy of 12,000 entries. I believe it is the largest poetry competition for children in Australia – probably by a long way. It is administered by the Dorothea Mackellar Memorial Society, also based in Gunnedah.
I had been asked to judge the secondary school entries this year – hence my involvement with the Awards Ceremony. Internationally published novelist and writer Sophie Masson had judged the primary entries.
For me, the journey involved a flight to Sydney, where I transferred to a propellor plane for the flight to Tamworth. Gunnedah is an hour’s drive west of Tamworth, and a supporter of the Society very kindly picked me up from Tamworth Airport and drove me to my motel. Patrons, judges, the winners and their families or support crews all descended on the town at around the same time from various corners of the country.
In the afternoon, we were taken on a bus tour of the region by Whitehaven Coal. Whitehaven own several coal mines in the region, and the Mackellar homestead is on land owned by Whitehaven.
Former Deputy Prime Minister The Honourable Mark Vaile AO is a board member of Whitehaven Coal, and a patron of the Dorothea Mackellar Society. Whitehaven Coal is also a sponsor of the Society.
(The other patrons are The Honourable Margaret J White AO, former Judge of the Supreme Court of Queensland, and Peter Shergold AO, who has led a highly distinguished career as both an academic and a public servant. Margaret has recently been appointed to the Royal Commission into the Northern Territory’s youth detention system. Peter is currently the Chancellor of the University of Western Sydney.)
Unfortunately, we were not able to visit the homestead. We were, however, given a good view of the surrounding countryside – much of which is flood prone – and were also taken up Porcupine Hill for an excellent view of the township and adjacent areas.
We also visited the Dorothea Mackellar statue for some photo opportunities! (This is located adjacent to the newly-completed Mackellar Centre, located in the former Visitors’ Information Centre (V.I.C.), which was due to be opened the following day. More of that later. Meanwhile, the V.I.C. had been re-located to the Civic Centre, closer to the centre of town.)
The following morning, I was invited to an informal breakfast at a nearby restaurant. To my great joy, a senior member of the community read “Clancy of the Overflow”. This allowed me to pounce and – with the permission of the organiser, Sandra Carter, of course – recite my own parody of the poem, “Clancy of the Undertow”, written back in 1986. I am thrilled to be able to report that it was very well received!
From there it was a short walk down to the Town Hall and around the corner to the Civic Centre for the Awards Ceremony.
The Ceremony was beautifully put together, a lovely balance of speeches, music, prize presentations and poetry readings. There was an audience of about 100. I won’t go into details, but suffice to say that everybody performed their roles admirably. The two highlights for me were the presentation by guest speaker, ABC journalist and presenter Heather Ewart, and Peter Shergold’s speech.
Heather gave a fascinating account of her career, especially the early years when she was very conscious of being a trailblazer for women. (She had been told at the time she set out that there was no future for women in journalism.) She also spoke about her current role with the television programme, “Back Roads”. She explained that the idea behind it had been to prove to urban audiences there was a great deal of a positive nature taking place in rural Australia, contrary to popular perception. The programme has been a great success, and a new series is now planned. Heather concluded by highlighting the critical value of literacy and communication skills in forging successful careers, whatever the field of endeavour.
Peter Shergold spoke passionately and spontaneously about Dorothea Mackellar herself, what an intelligent and courageous woman she was, but also about how sad, lonely and frustrating much of her life turned out to be. A couple of examples – her favourite brother was killed during the Boer War, and a letter she sent to England accepting a marriage proposal never arrived. She therefore never married and had children. Nor did she ever have any nieces or nephews.
A sentiment I heard repeated several times during the course of my stay was the need for a new, rigorous biography of Dorothea Mackellar.
During my own speech, I spoke of the importance – as I see it – of preserving national “sacred sites” of historical cultural importance, particularly as they relate to writers. Gunnedah has the legacy of Mackellar and the nearby homestead. Here in Victoria, we have “The Singing Gardens” at Toolangi, former home of C. J. Dennis, and now home to the annual Toolangi C. J. Dennis Poetry Festival. More recently, we also have the boarding house at 832/834 Burke Road Camberwell, where Dennis wrote “The Moods of Ginger Mick”. I invited all present to attend the festival and pointed out that, with the closing date for the Toolangi poetry competition being 7th September, there was still time to enter! I also wrote a short poem for the ceremony, which was well received.
Following the Awards Ceremony, we moved up to the Mackellar Centre for its opening ceremony. It was explained to us that the artist Jean Isherwood had created a series of water colours to illustrate “My Country”. (A DVD featuring the voice of an elderly Mackellar reading her poem alongside the Isherwoold paintings had been shown during the Awards Ceremony.) The pressing need to find a space to display these paintings had driven the creation of the Mackellar Centre.
The opening ceremony was a great occasion, culminating in the formal cutting of a ribbon.
I haven’t said much about the winning poems themselves, but details will be available soon on the Dorothea Mackellar website. They were of a very high standard, as would be expected.
I had a wonderful time in Gunnedah. The experience of being a judge, though undoubtedly quite arduous, was extremely rewarding and, indeed, a source at times of great inspiration. I wish to thank most sincerely the Dorothea Mackellar Memorial Society for the privilege of being able to be a part of the process in 2016.