The National Library (NLA Publishing) has recently released an anthology of poems for Australian children entitled “This is Home – Essential Australian Poems for Children.” I am very happy to report that two of my poems – ‘Dad Meets the Martians’ and ‘The Sash’ – are included in the collection, which is lavishly illustrated by Tania McCartney. The poems were selected by Jackie French, perhaps best known as the author of the classic children’s picture book ‘Diary of a Wombat.’
The book was launched at the National Library in Canberra last Sunday (7th April), and I received an invitation to attend and read one of my poems from the book. As I happened to be in the area with my friend Maggie Somerville, I decided to attend. My son, Thomas, and his girlfriend, Catherine, are also living in Canberra these days, so the four of us made our way to the library in the early afternoon.
It was a beautiful sunny day. I can’t remember if I have ever been to the National Library before or not, but I have to say the entrance looks quite magnificent.
Susan Hall, the publisher, welcomed the guests and introduced the afternoon’s proceedings…
Margaret Hamilton officially launched the book, but I do not have a photo of her speaking. The best I can offer is the following photo with, from left to right (in the comfy chairs) Margaret, Jackie French and Tania McCartney.
She was followed by Jackie French, who selected the poems…
and Tania McCartney, who provided the illustrations.
Both spoke with great passion about the book, and their contribution to it.
Next came the poets, a number of whom were in attendance, to read their poems.
Leo Barnard read ‘A Palace of a God’…
Jackie Hosking ‘A Dessert Sky’…
Christopher Cheng read ‘We Celebrate’…
Janeen Brian read ‘Looking’…
Libby Hathorn was the next to read, but I think I was distracted by my own imminent performance, and cannot be sure which of her three poems she read. I think it may have been ‘Cindric’s Trolley’, though.
Geoffrey Page also read ‘Silver Wind’, but unfortunately I do not have a picture of him, either.
Lastly, I performed my poem ‘Dad Meets the Martians.’ I am pleased to say it was well received.
Then it was time to say goodbye to Thomas and Catherine…
(thanks to Maggie Somerville for the photo) and skedaddle back to Melbourne in time for work at 9 am on Monday morning!
The lead-up to the festival this year was disturbed by the very sad news that Vic Williams, co-owner of The Singing Gardens, and husband of Jan Williams, is very ill. My thoughts are with Vic, Jan and their sons at this difficult time.
This year’s festival was very enjoyable and went well, but numbers were significantly down on previous years, which is prompting some soul searching. The cold, wet weather no doubt was a contributing factor, but I am not convinced that this is the whole story.
It began, as always with the Awards Ceremony. This was one of the best attended events of the weekend. Numbers of entries were up on last year, and the standard, as always, was very high. In addition to the prize money and certificates, award winners also received a copy of the festival booklet containing all the winning poems, beautifully produced by Daan Spijer, and a copy of Jack Thompson’s CD, “The Sentimental Bloke. The Poems of C. J. Dennis”, a number of which had been kindly donated to the Society. The new category of short story (500 word limit), now in its second year, appears to be working well. It was especially gratifying to see Jan Williams win First Prize in the ‘Adults Writing for Children’ section, as judged by children, for her poem ‘Scruffy Dog’.
The ‘Open Mike’ and ‘C. J. Dennis Showcase’ followed, with great performances by Jenny Erlanger, Maggie Somerville, David Campbell, Ruth Aldridge and Daan Spijer.
At 5 pm we commenced the performance of ‘Digger Smith’, published 100 years ago, in 1918. Several rehearsals had been held, we were dressed for the part, and I think we acquitted ourselves well. Unfortunately, we played to a very small crowd, which was disappointing. That said the audience, though tiny, was highly attentive and appreciative – and complimentary! We broke after an hour or so for dinner, and then continued for another hour after dinner, completing the book. (The food, it must be said, was as superb as ever!)
(Photo by Tim Sheed)
The Poets’ Breakfast the following morning was attended by myself, Maggie Somerville, David Campbell, Christine Middleton and Tim Sheed. It was great to have Christine and Tim there. Christine is a beautiful harpist, and Tim is an excellent reciter of Australian bush verse.
Christine performed some of the melodies she plays in the course of her work as a music therapist.
Tim recited an old Dennis favourite, “An Old Master”. It was exciting to be able to inform him that he was pretty much standing on the slopes of Mt St Leonard himself as he performed the poem!
We were honoured with the attendance of the local Member of Parliament, Cindy McLeish (State Member for Eildon). I think she was expecting a larger turn-up, but she hid her disappointment well, and in the end I think she really enjoyed the performances.
Maggie Somerville had put the poem “West” from “Digger Smith” to music, and performed it after David Campbell and I had provided something of the context. It was very well received.
David took the opportunity to perform his poem “A School for Politicians”, and I then changed the mood slightly with one of my poems for children, “Yesterday’s Homework”. Maggie and Christine played “No Foe Shall Gather Our Harvest” together to finish the morning show. This poem, by Dame Mary Gilmore, has been put to music by Maggie. She has recorded the song, with Christine playing the harp. However, Christine was recorded in a different studio at a different time to the other musicians, so this was the first time Maggie and Christine had performed the song together.
(Photo by Tim Sheed)
Maggie and I have worked together to create a YouTube video of the song, which can be found here:
(from left to right, David, Tim (back), Christine (front), me, Cindy and Maggie – photo by Melanie Hartnell)
The sun came out after lunch, in time for the ‘moving theatre’ and the children’s ballet. ‘C.J. Dennis’ and ‘Henry Lawson’ received a surprise visit from ‘Dame Mary Gilmore’. ‘Henry’ took the opportunity to introduce the audience to little known poems by Banjo Paterson’s younger brother Ukulele, and Henry Lawson’s younger brother Leroy.
The numbers were swelled considerably by the families and friends of the dancers without whom, once again, the audience would have been very small indeed.
We then moved inside for afternoon tea, and Jan Williams presented David with the Marian Mayne award for First Prize in the Open Poetry section.
Jim Brown was not able to attend the festival this year, and was therefore unable to perform his traditional rendition of ‘Dusk’ to close the festival. I performed it in his stead, with musical accompaniment from Maggie.
The gardens looked splendid as always. The weather was rather dismal on the Saturday, but picked up on the Sunday. Jan and her band of helpers performed admirably as they always do and, as I mentioned before, the food all weekend was delicious. The only thing missing was a good-sized audience!
It is hard to know precisely the cause(s) for this. We have an ageing membership, and are not attracting many new, younger members. The festival has been running in its current format for a number of years now, and perhaps a change is needed. Suggestions received included reducing it to a single day (probably the Sunday), or running it every second year. Further suggestions are welcome.
In summary, the festival this year was enjoyable and successful, but it would have been nicer to have had a few more people there!
Maggie and I visited the Benalla Entertainment Muster last Sunday. This is an annual event run by the Victorian Bush Poetry and Music Association, and organised primarily by Cudgewa-based Jan Lewis. It is a great fun weekend, and I have been attending it for a number of years now. It is also a good opportunity to promote the Toolangi C. J. Dennis Poetry Festival, which usually follows a week or two later. (This year it is following a week later – taking place this coming weekend.) Some years I have attended on both the Saturday and the Sunday, staying overnight in Benalla, and Maggie has joined me for the two days a couple of times in recent years, but my current work commitments make it difficult for me to get there on the Saturday.
As always, it was great fun. This year, a ‘sea shanty’ theme was chosen, which lent itself to being interpreted in a number of ways. Certainly the most visually spectacular of these was the court martial of Captain Kirley by Admiral Carrington and Co.
Val Kirley’s paintings of sailing ships added to the nautical atmosphere.
Maggie (back) joins Jan Lewis (left) and Christine Boult (right) in song.
Maurie Foun (lagerphone), Jim Carlisle and Jeff Mifsud (guitar) make music together.
Just a few snippets of what was a very enjoyable day…
I was starting to worry that we had no photographic record of the performance of “The Glugs of Gosh” at the 2017 Toolangi C. J. Dennis Poetry Festival, held to celebrate the centenary of its publication. Fortunately, C. J. Dennis Society member Will Hagon has come to the rescue!
Here we see, from left to right, Sir Stodge (David Campbell), a narrator (Maggie Somerville), King Splosh (Jim Brown), and another narrator (Ruth Aldridge), in “The Swanks of Gosh”.
Now we move on to “The Seer”, with narrators Jim Brown and Ruth Aldridge, and the Mayor of Quog (Daan Spijer).
The climax is reached in “Ogs”, with the “Og” audience throwing stones at the Glugs!
Here are Sir Stodge (David Campbell), a narrator (Maggie Somerville), Sym (Stephen Whiteside), King Splosh (Jim Brown), Queen Tush (Ruth Aldridge), and a Glug with a mole on his chin (Daan Spijer).
Alas, Sir Stodge has been stricken in the chest by a stone!
(Note the blurring of the faces due to movement – evasive action, or simply hilarity?)
And here are the stones that caused all the damage!
The Toolangi C.J. Dennis Poetry Festival is over for another year, and what a festival it was this time!
It was undoubtedly the biggest and the best we have had yet, as indeed it should have been celebrating, as it was, the centenary of the publication in 1915 of “The Songs of a Sentimental Bloke”.
The festival got a great boost about a week out with the news that The C.J. Dennis Society’s Patron, Ted Egan, would be in attendance. Ted lives in Alice Springs, so it is a long journey for him to come to Victoria. Ted has only been to the festival once before, and that was back in 2013.
The weather was kind to us – as it always seems to be – and Ted opened the festival for us in fine style. What is more, he sang his tribute to Australia’s pioneering women to the assembled throng, as an added bonus. He had to get by without his famed beer carton, but a small book served almost as well to tap the rhythm out to.
David Hill from the Bendigo Community Bank (Healesville Branch) was also in attendance. The Bendigo Bank has been our chief sponsor over the years, and this year they agreed to double their commitment. Rather than present the prizes for “Adults Writing for Children” himself, David placed a small toy under one of the chairs, with the person who first found the toy to present the prizes. This led to the somewhat unexpected outcome of Jemima Hosking presenting a prize to her mother, Jackie! (Jackie’s father, John, also performed a poem later in the day, so we had three generations of the Hosking family involved in the festival!)
The local member of Parliament, Cindy McLeish MP (Member for Eildon), also kindly offered to attend the festival and award prizes. Cindy’s support of the festival is longstanding, and very much appreciated.
The number of entries was down a little on last year, which is a bit concerning, but everybody agreed nonetheless that the standard was very high. Not all the poems that received awards were heard this year, but all the winning poets who were in attendance performed their poems, and First Prize in each category was read out whether the poet was present or not.
Here is Ted Egan opening the festival. (Thank you to Nerys Evans for the photo.)
After a break for afternoon tea, we commenced an “Open Mike” session which proved extremely popular. Indeed, not all the poets who wished to perform were able to do so, as it would have left insufficient time for the showcase concert of C.J. Dennis poems and songs that was scheduled to follow. This also needed to be shortened a little because of time constraints.
The concert kicked off with actor John Flaus from Castlemaine. The other performers were Maggie Somerville, Jim Haynes, Jim Brown, Ruth Aldridge, David Campbell and Geoffrey W. Graham.
Here is Maggie Somerville singing a C.J. Dennis poem that she has put to music.
Towards the end of the afternoon, the sun went down and a chill crept over the proceedings. The original plan had been to hold the evening’s entertainment in the marquee also, but it was generally agreed that it made much more sense to retire to the tea rooms, where a lavish buffet dinner was now waiting.
The evening meal was truly delicious, with a large range of choices on offer.
We then commenced our special presentation of “The Songs of a Sentimental Bloke”, featuring Geoffrey Graham as performer of the poems, Jim Haynes as “slang interpreter”, and myself as narrator. I suddenly found my voice failing me, and Geoffrey was looking very much the worse for wear having been badly dumped by a wave while body surfing in Hawaii two days earlier, but the show went on nonetheless, and was very well received. (About half the audience gave us a standing ovation; Geoffrey assured me the other half would have done so also, if they had not been so tired!)
Here we are – from left to right, Jim, Geoffrey and me – looking relieved but happy after the show! (Thanks to Maggie Somerville for the photo.)
The Poets’ Breakfast kicked off right on schedule the following morning at 9.30.
Here is Ruth Aldridge reciting “Caravanning Bliss” by Bob Magor.
Shelley and Rod Hansen provided a great double act.
Jan Williams gave us a poem, but unfortunately I cannot show you a photo because my computer refuses to upload it!
The audience was large and appreciative.
We then moved back down to the marquee for the launch at 11am of the CD Maggie and I had put together, “The Two Bees”.
We were joined by three musicians – Hugh McDonald (ex-Redgum), who had recorded and produced the album for us, and Trevor Voake (mandolin) and Dieter Imberger (harmonica), friends from the Victorian Folk Music Club. (Trevor’s wife Margaret kindly acted as photographer for us.)
We performed “The Two Bees” in its entirety – eight songs and four poems, words by C.J. Dennis, music by Maggie. We did make lots of mistakes, but they were mostly small, and we all had great fun. The audience seemed to enjoy it all, too.
Here is the band line-up – from left to right, Trevor, Dieter, Maggie, me and Hugh.
Here is Maggie demonstrating the title of the poem “How to Hold a Husband”.
Hugh seemed to enjoy himself.
Then it was time for lunch. Jim Brown and David Campbell did a great job entertaining patrons in the tea rooms over the lunch break.
The traditional “moving theatre” followed, with some new faces this year – Geoffrey W. Graham as Banjo Paterson, Jim Haynes as Henry Lawson, and John Derum as the “one and only” C.J. Dennis.
A recent tradition during the moving theatre has been for some of the local children to perform a ballet to music inspired by the poetry of C.J. Dennis. (Local parent and retired dancer Cathy Phelan designs the costumes and choreographs the dancing.)
In past years, the children have danced to recorded music. This year was different. Maggie Somerville had written music to C.J. Dennis’ poem “The Satin Bower Bird” (from “The Singing Garden”), and recorded it on CD for the children to rehearse to.
Here is the audience enjoying Maggie and the children’s performance.
We next moved to the top of the gardens, where the poets were joined by Dorothea Mackellar (Ruth Aldridge).
It was then back down to the marquee to finish the show.
Afternoon tea was held in the tea rooms, then back again to the marquee for one last time to watch the festival end in the traditional way – with Jim Brown’s rendition of C.J. Dennis’ magical poem, “Dusk”.
Some festival attendees missed Jim’s performance, so he agreed to perform it a second time.
I made a video of Jim’s second performance, which can be found here:
So ended what had been a wonderful festival.
There are too many people to thank properly, but special gratitude and appreciation must be given to the Bendigo Community Bank (Healesville Branch) for their continued generous sponsorship, to Vic and Jan Williams, owners of “The Singing Gardens” (and their family), for their tireless work maintaining the gardens and helping to organise the festival, and to our illustrious Secretary Jim Brown for all his hard work.
We hope to see you at next year’s festival, when we will be celebrating the centenary of the publication in 1916 of “The Moods of Ginger Mick”!
I will add one last photo – C.J. Dennis (John Derum) addressing the throng, with the famed copper beech tree in the background and cloudless blue skies above. Could anything be better?
The Toolangi C.J. Dennis Poetry Festival written poetry competition has a category for “Adults Writing for Children”. For several years now, we have also asked children to judge the poems, and published the results of their judging separately. I have been a little disappointed in recent years that I have not scored better with the children – after all, I do rather fancy myself as a children’s writer.
Last year I made a special effort to win this award, but it did not prove possible to have children acting as judges.
However, this year reciter and C.J. Dennis Society member Ruth Aldridge stepped up to the plate by agreeing to arrange for the children of her local school to judge the award, so I had another crack at it.
And what do you know?
This year, the children judged my poem, “The Sticky Fart”, as their favourite!
Yay! I’ve broken through at last!
Here it is…
The Sticky Fart
I did a big fart – not right off the chart, but it stuck to the end of my bum.
I wriggled and jiggled and joggled and squiggled and gave it a poke with my thumb.
It wouldn’t come loose, and I felt like a goose, so I sat very hard on the grass,
And I slided and slid, but I couldn’t get rid, and it stayed there, attached to my bottom.
I stood on each hand. My planning was grand. Perhaps it would flop back inside.
I walked round the yard. It was terribly hard, and didn’t do much for my pride.
Exhausted, I fell, and I gave out a yell, “Look out!”, for I felt it come loose.
It ran down my pants like a scurry of ants, along with a trickle of juice.
I was filled with relief, but alas, to my grief, I felt it beneath me go “Squelch!”
(If I’d been really smart, instead of a fart, I’d have simply pushed out a big belch!)
I’ve been badly misused, and I’m very confused. I don’t know what now I should do.
I am gloomy and glum. It is gone from my bum, but I can’t get the fart off my shoe!
The Port Fairy Folk Festival this year was without a doubt, for me personally, the most demanding and most rewarding I have ever attended.
The key was, of course, that 2015 marks the centenary of C. J. Dennis’ classic verse novel, “The Songs of a Sentimental Bloke” and, as President of the C. J. Dennis Society, I felt I needed to step up to the plate to help celebrate the occasion!
It was both a pleasure and a challenge to do so.
Jim Haynes has been doing a wonderful job of running the Spoken Word programme at Port Fairy for many years now. While recent festivals have chosen ‘Banjo’ Paterson and Henry Lawson as their themes, it was felt inevitable that the focus would eventually turn to Dennis, and this was obviously the year to do it.
It was a fairly simply task for me to adapt the script from the show about the Bloke that I first developed with Mac Craig for the Sunnyside Festival, and then performed so successfully with Geoffrey Graham at the VBPMA Bush Poetry Muster in 2013, to add a further narrative, explaining the slang in the book, for Jim.
The only problem was knowing the time it would take to perform the whole show. We had 90 minutes to perform nine poems, together with explanatory narrative. Would we make it? Would we have to drop a poem? How do you factor in the time taken for audience applause? Should I develop a Plan B to drop one poem if necessary?
I couldn’t really see how to institute a Plan B, so I decided to keep the faith with my original script, and simply run with it. It was all a little nerve-wracking, but the show came in at about 88 minutes – a couple of minutes under time! How’s that for brilliant timing?
Geoffrey was absolutely superb as the “Bloke” (no surprises there), and the 200-strong crowd gave us a standing ovation, which was extremely gratifying.
I was also involved in two other C. J. Dennis related shows during the course of the weekend, all held at St. Pat’s Church.
The first, at midday on the Saturday, comprised a 90 minute concert of poems and songs by C. J. Dennis. Maggie Somerville and I had prepared a number of items, some of which we performed together, others individually. (These were a mix of poems and songs. For the songs, I chose the poems, and Maggie wrote tunes for them.) Jim Haynes also had a number of poems, as did Laurie McDonald, visiting poet from Canberra, and Geoffrey.
We didn’t make any major stuff-ups, and it was all very well received.
Following this, I gave a ‘workshop’ on the life and times of C. J. Dennis. This essentially consisted of me sitting on a chair with a microphone and talking for about an hour. About 50 hardy souls stayed to hear what I had to say, bless them, and almost all of them stayed the distance, which I appreciated very much. I was assisted by Maggie, who read “Laura Days”, a poem Dennis wrote in the twilight of his life recalling his childhood in that small town in South Australia. Jim read an excerpt from “Haggling in Filth”, an account of Dennis’ journey with Frank Roberts, oldest son of Gary and Roberta, from “Sunnyside” in the Dandenong Ranges to the Victoria Market to sell berries. Lastly, Geoffrey read excerpts from Dennis’ account of his (successful) efforts to save his property from bush fire in 1926.
The other event I was involved in over the festival – and my final show for the weekend – was my launch of my collection of poetry for children, “‘The Billy That Died With Its Boots On’ and Other Australian Verse”. This was held on Sunday afternoon in the children’s marquee.
It was a somewhat daunting sight to see the Mik Maks in full flight on stage, and knowing that I, as a humble poet, would be required to follow them!
Here they are…
Maggie joined me, providing some moral as well as entertainment support. I set off in a fairly low key way, but the crowd seemed to be with me, and it went well. Maggie read my poem “Flies”, her own poem, “Mozzed”, inspired by “Flies”, and sang “The Sash”, the song she has written from my poem of the same name, about a young Ned Kelly’s rescue of an even younger boy, Richard Shelton, from the flooded waters of Hughes Creek in Avenel in 1865. I sold some books and received plenty of positive feedback, so the show can be fairly judged a success, I think.
After that, we hotfooted it over to the primary school to catch what we could of Geoffrey Graham’s show about the First World War. Geoffrey must have been utterly exhausted following his performance of “The Sentimental Bloke” earlier in the afternoon, but he did a great job, as always.
With the formal part of the weekend over, Maggie and I decided to summon the energy to go to the Surf Club in the evening. There we were treated to fine brackets of music by two up-and-coming young bands, “The Stray Hens” and “Oh Pep!”
Here are “The Stray Hens”.
I should not finish this report without a mention of the famous Poets’ Breakfasts that Jim led magnificently throughout the course of the weekend. The feature poets for this year were Laurie McDonald from Canberra (who I mentioned earlier in relation to the C. J. Dennis concert of poems and songs), and the redoubtable Geoffrey Graham, who barely had a chance to put his feet on the ground during the course of the festival. (It is Laurie, by the way, who puts together the Spoken Word programme for the National Folk Festival in Canberra at Easter.) It was also a great pleasure to have the opportunity to become better acquainted over the course of the weekend with Laurie’s lovely wife Denise.
What more can I say? Port Fairy Folk Festival 2015 was undoubtedly my best ever!